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Are.na
I respectfully acknowledge the Elders, past, present and future of the Wurundjeri people of the Eastern Kulin nation where I live and work.
Sovereignty was never ceded.
Sovereignty was never ceded.
Creative Direction and Design for Fabrica’s 30 year anniversary celebration and event. 800 residents have created the DNA of Fabrica, and continue to do so.
With support and consultation from Carlos Casas, Georgia Taglietti and Francesca Perpetuini. Photography: Joe Habben
Documentation: Ricardo Fountanel.
Identity, Environmental Graphics and Signage for The Metropolitan Hotel, completed whilst working at Pidgeon Ward.
The Metropolitan Hotel has been restored as a Melbourne city icon, a mere 170 years after the historic pub was established. This revitalised drinking, dining and music venue offers a distinctive experience over three-storeys for everyone to eat, drink and gather.
Painting is The First Zebra Seen in England, by George Stubbs, 1763.
Whilst at 21-19 we created a print collection for Shari that drew deeply from her conceptual thinking from her first collection Aether. We recognised that sense of place was imperative to the brand and found some beautiful aerial imagery of Western Australia.
Completed at 21-19.
Creative Direction: Ryan Guppy
Design Direction: Stephanie Mulder
Photography: Elisa Watson
Exhibition Identity, Publication and Signage System completed at Pidgeon Ward. Set in the long-abandoned third-floor wing of Flinders Street Station, Time is a nostalgic love letter to mid-century Melbourne and a tribute to one of the city’s great icons.
Catalogue Typeset in Pitch and Pitch Sans from Klim and Optician Sans.
Based on the wireless nature of the earphone, we developed a visual narrative that revolved around autonomy. Transparent plastic materials and organic rhythms were utilised to portray this concept, in addition to the creative practice of dance. The result clearly pushed Bang & Olufsen out of their comfort zone and envisaged a more contemporary future brand language.
Project completed at The Royal Danish Academy in collaboration with Petrine Prien and Mirjam Jorgensen. With supervision from Rene Christofer and assesment and consultation from Andreas Eminus.
Whilst at Fabrica Research Centre, the graphic identity was created, rooted in protest and division.
Directed by Marko Kumer, The Other Side of the Pipe captures graphic struggles of three activists who work together to oppose the largest European energy project ever conceived: a gas pipeline that starts in Azerbaijan and reaches Southern Italy.
In collaboration with Incipit Film and film director Marko Kumer.